Riopelle's mid-century paintings are among my favourites of the era. There are some excellent examples of his work at the Montreal Museum of Fine Arts, the Musée Nationale des Beaux-Arts du Québec and Canada's National Gallery. He is also represented at the Tate in London, the Art Institute of Chicago and the Peggy Guggenheim Collection in Venice. The Foundation proposes to give his work more exposure, especially in the United States, where he is almost unknown. They also hope to create a physical and virtual space that will encourage communication and exchanges between museums, institutions, and collectors, making his work better known.
|Jean-Paul Riopelle, Perspectives, 1956|
806 x 1000 mm
One of the aspects of the above painting that I particularly like is that it is visually organized into large masses, interacting with each other. Each of the masses is in turn made of small elements, almost like a mosaic or patchwork. I find I am drawn to this kind of composition, so typical of Riopelle's paintings from this era.
You can read more about the initiative to promote Riopelle and his work here.