2012 |
I use materials that I have on hand, and sometimes I continue with a theme that I'm working on at the time. Because I make two dozen or more, I don't want them to be too complicated.
2011 |
This year, I began with hand-dyed cotton, and used a stencil with pearlescent acrylic paint for the tree. The cotton was backed with batting before being machine stitched with silver thread to emphasize the lines of the tree. Then I heat-fixed some crystals onto the surface.
I used a heavy watercolour paper for the third layer, and zigzag stitched the perimeter with the silver thread.
2010 |
They are reasonably stiff, enough to weather their trip, and the paper will easily accept my scribbled greeting and address.
The Tuscan-themed edition of 2011 had no stitching other than the edge finish, but featured image transfer and multiple stamping on hand-painted cotton. I used a heavyweight interfacing for this one: because there was no quilting, there was no advantage to using batting.
The 2010 special was an extension of my Love, Love, Love theme. It had a Victorian feel, complete with antique buttons, pearls and lace and vintage-style photos. This version was a little too thick to pass the test for thinness at the post office, but once it was sheathed in a plastic wrapper, it was a go.
Of course it's too early for seasonal greetings, but it is satisfying to know I have a little stack all made and ready for their journey.
1 comment:
They are lovely Heather. what luck recipients!
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