|The Auditorium of the Old Burgtheater, Vienna,
by Gustav Klimt, 1888
The final concert had been the event of the season for Vienna's elite, and it was a mark of prestige to be included in the 200 miniature portraits that Klimt included in the tableau.
In much the same way, Anne-Marie O'Connor's book is a portrait of a whole community, the Jewish elite of Vienna's Belle Époque, told through the life of Adele Bloch-Bauer and her dazzling portrait by Klimt.
I became interested in reading the book when I listened to a review on CBC radio. It was said that "The Lady in Gold" was a history book written like a novel, and that all history books should be as readable. I had seen the Helen Mirren film "The Woman in Gold", based on O'Connor's book, and had found the story fascinating. (My post on the film is here.) The book is divided into three parts: pre-war Vienna; the period of the Anschluss (the unification of Austria and Germany) and World War II; and the modern-day battle for the restitution of the painting by the Bloch-Bauer family and their heirs.
"What is the meaning of justice when law is used to legalize thievery and murder? What is the meaning of cultural property when patrimony is an arm of genocide? What is the value of a painting that has come to evoke the theft of six million lives?"Though challenging and at times disturbing, this award-winning book is well worth reading. You will never look at Klimt's Portrait of Adele Bloch-Bauer 1 in the same way again.