As part of the recent SAQA conference, a small group visited the
Snyderman-Works Gallery in Old Town Philadelphia, where we met the dynamic couple who began the enterprise some fifty years ago. Their specialty is fibre, glass, ceramics and jewellery.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7vOruUHOoTHIGtFgi8OWIkwp7RJkqfj6mIg9_gMgUtCtovp-ihpE8r5gPrkxdRby7c_Qf3uyoeqG5rThDUTM-o3o8PUUwwnwmuzecgnyInX6rGbYxhw8mlOcB_QcSAUE3Ety5fy_aZho/s320/RuthandRick+craftmag.jpg) |
Ruth and Rick Snyderman |
Until April 16, Snyderman-Works is staging its tenth biennial textile show. Many of the works on display are by artists who have been represented by the gallery for decades.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyyTEYNlT1p3awfQrDxutkxwUMsepNEHJHFFqFKKy2Y3wdB7YIPsJMnIAjwoXj68pUpOyQKPTeFxNl7rPdHW0MxjILr1m3ITOO_qro940sFkcsS3EvHEKQELsDmWh6nWtSbZg6U6dZGRs/s320/DSCN0897.jpg) |
Gerhardt Knodel's panels, each 144 x 112, polyester |
Knodel's panels were what I noticed immediately on stepping into the space. There were five in all.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNiTON4QzCB_KfufDQvaB9q39aumrMVp8jLSYnltE7F8Sw2uqD6IRH-BPm9GjW3_qkmt7Wzu8XTXvzr1H5Rn0lgpDo_FYs5tAWlpyAvl32GKRUqda359YAJLoeM64OwOQeSvy6b6zLuhU/s320/DSCN0884.jpg) |
Anna Torma, Camouflage 2, 2013, 71 x 35
fabric collage and hand embroidery |
Anna Torma of New Brunswick had three pieces mounted on a single wall. Torma won the lieutenant-governor's award for High Achievement in the Visual Arts, 2014.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRHZSV82ytO093uWfq1Nu9fAr5uSPRxo96khdh6-VDB95WBVnJXYT8X26Ewq9rppYGqWQaSVxbFOkHyXDBtIc4i4egux_nnMIpVH5KC_yjI58k9raDIej62km-3velzTEKavGc7IMuxM8/s320/DSCN0887.jpg) |
Wendeanne Ke'aka Stitt, Niho Mano Quilt, 2012, 34 x 34,
Hawaiian Kapa cloth that is hand-dyed, machine-pieced and hand-quilted. |
Stitt, a native of Hawaii, is concerned about the vanishing art of Kapa cloth and hopes to preserve and advance this traditional technique.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFxMTR8RlNIaMNFJ_Gkgf22ZDrH9PPgWotRFTKHhyphenhyphenldJBNqZ_AjeSyxExefBH11JbG-nDHmyKMl1Ql0JR_xrYR-pEIa0rIsPMGgczZI6EAt-TVjqU83nrMzl1lN3sVXnAq5CfGNLcJXdI/s320/DSCN0893.jpg) |
Hilary Steel, Cloth to Dance to : Freely, 1990, 90 x 45,
warp and weft Ikat, hand weaving, cotton and rayon |
Hilary Steel has been represented by the Snyderman-Works for many years. Two of her woven tapestries were on display, the one from 1990 looking every bit as current as the one made this year.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzj4ReO4fpM-7Ej9FjXtyrk4JaPHUwI7D35kr0DgD2Wmb2N6OJrmoqrwDJp3zQYFuctnvQgNgHaEqp6JsHIyjsEgA5bnhcUyqmnKDuGKWN75FjHAjP02GkhK5k9uiTJ0F2QWcfLCZqEx4/s320/DSCN0895.jpg) |
Hilary Steel, Enter, (second textile in the Guardians Series)
2016, 87 x 42, hand-weaving, Shibori dyeing on cotton |
A sampling of some other arresting pieces:
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIvWfua4RM4SdpE3k9VIOhAwfDdiJ4DWqkwNNEn3z0D6q_gHcclOTbIEaXWEslxFChG2sPt2F4kt2ngM7hybdGdeXwiRg1HRMY3R0m1-ANabi64GCXY34bxASINj083FISkpN60vKc4bg/s320/DSCN0899.jpg) |
John Garrett, Circle Grid #8, 2016, 24 x 24 x 2,
steel wire, paint, rebar ties, wire grid and bed springs |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2AY4cInnat7RnCJDakgifYuRrDVJRJajGD3M8woC9n5fgyBIoEF7d5izGmHsdWhEEXImU03bMFp7_DRrs3ebshOCFNtYxViVap51-HxnomAIA9-_SLpVUmh6dPLhp4PpjXRy_UGUCj1g/s320/DSCN0889.jpg) |
Lia Cook, Intensity Su Data, 2013, 52 x 39,
woven cotton and rayon
|
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUjBLTOaGlppteSQDHoJvF2mtcpJFa9B4v-TnQuuewNXSZ_UfTkwIITLytcRLCDngQTXal4u1d0OltCPbvHi8_RBGMDq3fkyKrENbs1uCtqOxIPE1-ChECJ-IJKskaPmxap343J9C854s/s320/DSCN0891.jpg) |
Piper Shepard, Only Their Silhouettes, 2015, 8' x 8',
hand-cut muslin, gesso, graphite and aluminum armature |
I'm so glad the organizers put together this opportunity for those attending the SAQA conference, and I would recommend Snyderman-Works to any art lover visiting Philadelphia.
1 comment:
I enjoyed seeing the exhibit through your eyes. I would have liked to have seen Anna Torma's work and Knodel's. The bed springs reminded me of the ones we saw at the side of the road at Tervete - I took photographs as they caught my fancy.
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